The 5059 Satellite summing mixer isn’t simply a resistive network with a couple of preamps for output gain. Large-format Neve consoles from the 1970s are considered by many to be the pinnacle of analog mixer design. The simple-looking, clearly-labeled, and distinctive-feeling controls belie the sophistication of the processing power and flexibility of the units in the series. I was an analog snob. One look around your local music mega-center and it seems like half of the pro-audio, keyboard, and guitar... Jim Williams has spent much of his 56 years working with some of the biggest names in the music business, including Frank Zappa, John McLaughlin and Stevie Wonder. The 5059 continues that lineage with red, dark-blue, and silver knobs; white pushbutton switches; and the now-familiar, off-white front panel. Over the last few years, these products have proved themselves worthy of the Rupert Neve badge and are now staples in million-dollar facilities and project rooms alike. Further, the buses can be used separately to allow different stem mix processing by simply applying different Silk modes to each bus - for example, Blue to your drums/bass stem and Red to the guitars/keys stem. One drawback to mixing “in the box” is the inability to use high quality analogue outboard equipment. During setup, the sophistication and routing flexibility of this simple-looking box soon become apparent and the manual outlines a few useful routing options. The Rupert Neve Designs 5059 Satellite is a 16 input line/summing mixer based on the topology of the 5088 console. These stem mixes can be enhanced using the Silk / Texture controls on the 5059, then processed by buss compressors or other devices, and fed into inputs of another mixer or an ADC. For example, I recently mixed a fantastic sounding album for Latin pop artist Priscilla Scott. When used with the , the 5059 can be utilized to create and mix stems into the main stere… 500 Series R10 R6 511 517 535 542 543 545 551. Burl Audio, under the direction of owner/designer Rich Williams, has developed some of the best new recording equipment over the last eight years. Read on - this is for you. The 5059 boasts not only the Neve sonic signature, but its flexibility is well suited for modern applications of processing. A typical setup would be to return both stereo buses to your DAW for summing. The manual explains how to calibrate the unit, and I strongly suggest you should create a session template to aid calibration, no matter what summing amp or outboard processing you may use. I look forward to each RND release, and the 5059 did not disappoint me in any way. The Red Silk mode accentuates the high-mid saturation, while the Blue Silk mode accentuates the low-mid saturation characteristics. He's the owner of Audio Upgrades,... Vintage King co-founder Michael Nehra shares some of his love, knowledge, and practical advice for diving into the world of vintage audio gear, and then takes us behind the scenes for a walk through... Bill Cheney and Jim Romney are the men responsible for keeping the amazing legacy of Spectra Sonics, a legendary, if criminally unheralded, pro-audio company alive. I feel that the Satellite contributed to the workflow and helped impart the classic big analog sound we wanted to maintain throughout the process. One drawback to mixing “in the box” is the inability to use high quality analogue outboard equipment. the portico units are their own cool thing. The DM-24 is Tascam's latest offering in the world of affordable digital consoles. You've squeezed all you can out of disposable gear? Then only the Stereo 1 output would return to your DAW or recorder. When I used to spend more time mixing on large-format analog boards, there was a certain sweet spot at which I could drive the mix bus to get just the right amount of saturation, and by using the Satellite's Silk modes, I could create that same sweet spot at almost any operating level. The 5059 is a unique summing mixer and would impart a variable sonic palette and novel routing options to any hybrid DAW setup. The 5059 includes 16 balanced line inputs with front- panel level, pan, and bus-assignment controls. As a reminder, the Silk circuit actually adjusts the negative feedback on the output transformer, which varies the harmonic content in a way that equalizers, compressors, or even tubes cannot emulate. I have a master buss compressor and 5033 and 5032 from RND. The keys to the sonic prowess of the 5059 are the custom transformers and true class-A topologies found within. Digital RMP-D8 Master Buss Converter. It certainly made gain-staging the mixer much more of an afterthought. Beyond providing galvanic isolation, the custom transformers in the 5059 are a key ingredient to its larger than life sound. The Silk mode accentuates the transformer saturation in the high frequencies to add a “sparkle” to tracks. Spec-wise, the unit is a thoroughbred. Additionally, each channel has its own insert switch, allowing some novel routing options (more later). the 5033s are very versatile and great sounding eqs, while the 5032s with silk on and off gives great versatility. Over the two- week mix session, the calibration stayed true, save for the occasional bumped knob, which was easily reset with my alignment tones. Built around many of the topologies and custom transformers made famous with the 5088 mixer and Portico II Series, the 5059 is designed to deliver the ultimate “out of the box” sonics and ergonomics in a 2U, rack-mountable chassis. By connecting a second 5059 to the insert outputs of a 5059, the dual stereo outputs can be used as a way to add 4 auxes to each of the 16 channels. Each input features a switchable insert with separate send and return points, pan and level controls, and the option to assign to a second mix buss. The two mix buses have independent level controls and also independent texture controls, each with a choice of Blue or Red Silk modes and independent drive control. The Silk + mode accentuates the saturation of the low frequencies to add thickness and density to any source – especially useful for dry, somewhat anemic mixes. Or, the Stereo 2 output could simply be looped back into a pair of unused inputs and assigned to the Stereo 1 bus. With zero crossover distortion and unmatched purity, the 5059 sets the standard for rack-mountable summing mixers. I like to maintain a calibrated summing amp to allow recalls and mix consistency, so at the beginning of the project, I ran tones through all the channels and calibrated all the level pots within 0.1 dB of each other. Every mix demands its own treatment; continuously variable Texture controls with Silk and Silk+ modes allow the engineer to fine tune the harmonic ratio and tonality of each stereo send of the 5059, or leave each mix pristine. The TG Channel MKII Abbey Road Special Edition incorporates a number of enhancements. Shelford Shelford Channel 5051 5052 5254. So you want to start recording? Channel inserts are provided in the 5059 to streamline interconnections with analogue outboard equipment and to allow for further expansions of the 5059’s capabilities. The Portico Series truly embodies the Neve philosophy of clean signal path combined with classic sonic characteristics of smoothness (some say warmth) and size. $3,749.00 (You save $246.00) SKU: 5059SATELLITE Availability: Special Order. Never during the project did I feel that I hit the input channels too hard, nor could I drive the outputs too hard without driving my Prism ADC into clipping first. Final Sale. Built around many of the topologies and custom transformers made famous with the 5088 mixer and Portico II Series, the Rupert Neve Designs 5059 is designed to deliver the ultimate “out of the box” sonics and ergonomics in a 2U, rack-mountable chassis. These output transformers will happily drive unbalanced inputs, in case you are using a semi-pro interface or recorder. Split the input channels into two stems for further processing and mixing. The basic building blocks of the Satellite mixer utilize the same custom transformers and Class A circuits that Rupert Neve has designed and implemented in the Portico Series as well as in the venerable 5088 console. Radial Engineering sent both LC and AH a Workhorse and a selection of 500-series modules. Their mic preamps, summing amps, and control room... 234 4-track cassette deck, 388 8-track tape machine & mixing board, Workhorse 500-series rack & mixer Shuttle Insert Loop, Jim Williams: Behind the Gear with Audio Upgrades, Restoring the "Holy Grail of Compressors": Behind the Scenes at the Vintage King Tech Shop, From WWII Planes to Stax Consoles: Behind the Gear with Bill Cheney & the History of Spectra Sonics, Rich Williams: Behind the Gear with Burl Audio. Individual pan controls are provided on each channel of the 5059 with a 3dB pan law. the Portico II units come closer tone wise to the 5088 than the portico units. Individual level controls are provided for each channel from -∞ to +10dB. By now, we are all familiar with the Rupert Neve Designs Portico Series of processors and RND's big-daddy 5088 console [Tape Op #73]. Mixing took place at my studio using a hybrid of in-the-box and the 5059. Now for the specifics: All audio connections are on the rear panel, with inputs and inserts handled with the ubiquitous and convenient 25-pin D-sub connectors (TASCAM pinout), while two pairs of male XLR jacks provide the Stereo 1 and Stereo 2 mix bus outputs. Shipping: Free Shipping : Quantity: Product Description. Built around many of the topologies and custom transformers made famous with the 5088 mixer and Portico II Series, the Rupert Neve Designs 5059 is designed to deliver the ultimate "out of the box" sonics and ergonomics in a 2U, rack-mountable chassis. I like to refer to the Portico stuff as simple but sophisticated. These types of saturation embody the "Neve" sound of the classic Neve devices. 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