Release from 50ms to 120ms. Try a transient designer. Even though different genres my require different settings this guide will help you learn how to find problem frequencies and how to help the snare cut through the mix. If you start to listen critically to a lot of dance, rock, metal, modern country, pop, funk, and other kinds of popular music you will notice the next loudest thing to the vocals is typically the snare drum. A great snare drum sound can really drive a mix. But be careful not to smash the transient so much that the snare looses its vibe. Top Snare – Compression. Snare Drum EQ & Compression Tips. Limiting and heavy compression gives a very distinct sound to the snare. Too much compression may bring up the hats so care about this. You’re trying to add punch to your snare that’s why you need to use slow attack so you can let the attack of the snare drum through. Bleed Problem? Although there is little that is specific to extreme metal when it comes to EQ'ing snare drums, it is worth mentioning that, generally speaking, the weight and body of a snare is centred around 200Hz‑450Hz. Slow attack, 10ms to 30ms. It could be metal or blues you’ll learn the fundamentals of making a phat snare drum. Amplifying parts of this range will thicken up the snare tone, and cutting will produce a brighter snare with more of a 'crack'. It can add some serious attitude and energy when used musically. Ratio from 4:1 to 8:1.

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