Allen called him the "quintessential New York film-maker", while Scorsese said "our vision of the city has been enhanced and deepened by classics like Serpico, Dog Day Afternoon and, above all, the remarkable Prince of the City. The city is capable of portraying a mood a scene requires. AP Worldstream, February 28, 2005, Verniere, James. It was just how you lived.”. Lumet died at the age of 86 on April 9, 2011, in his residence in Manhattan, from lymphoma. “It was a baptism of fire and taught him his craft—the ability to work very fast and yet obtain high quality results,” wrote Gavin Smith in Film Comment. He edited his films so the camera was unobtrusive. He studied theater acting at the Professional Children's School of New York and Columbia University.[13][14]. His cinematographer, Ron Fortunato, said "Sidney flips if he sees a look that's too artsy. Whistleblower Frank Serpico, for example, is the quintessential Lumet hero, whom he described as a "rebel with a cause. Indeed, leftist politics had long been embraced by many in the industry. It is this emphasis on human life that is at the heart of his humanity,” said Joanna Rapf in her correspondence with the filmmakers. [41], Partly because his actors were well rehearsed, he could execute a production in rapid order, which kept his productions within their modest budget. They made a joint statement upon the release of the film: “Through Daniel’s search for self-discovery in his own memories, as well as his contacts with people who were involved in his parents’ case, we see from the inside three decades in the life of American dissent—from the Depression and World War II to the McCarthy period and the anti-war movement of the 1960s. "[29] Nonetheless, director Spike Lee commented that "his great work lives on with us forever. He did so with Nick Nolte, Anthony Perkins, Armand Assante, Jane Fonda, Faye Dunaway, Timothy Hutton and Ali MacGraw, who herself referred to him as "every actor's dream. Consciously I had no feeling of hero, villain, what-have-you… I think that element of not knowing can lead to some wonderful work.”. "Give him a good actor, and he just might find the great actor lurking within", wrote film critic Mick LaSalle. [45] Steiger, who has made nearly 80 films, said during a TV interview that the film was his favorite as an actor. In the film Fonda plays Juror 8, who casts the lone ‘not guilty’ vote as he and his fellow jurors deliberate the fate of a young Puerto Rican boy facing the death penalty for his father’s murder. For people working in the entertainment industry, the excitement of the times had a capricious shadow. I don’t suppose anybody will ever really know,” says Juror 8 to the group. The film was set in New York in the world of network news where ratings and shares determine an anchor’s worth. You'll do six or seven hundred of these, maybe a thousand. I grew up very poor in the roughest sections of New York and you simply become very interested in justice because you see an awful lot of injustice around.”. Lumet recalls “the wonderful adventure” in his family’s apartment, listening for hours as his father rehearsed the writing of Joseph Opatoshu and Shakespeare (which he first heard in Yiddish). Colleagues were expected to inform on each other, to give up names, even without factual knowledge. Future generations of film-makers will look to Sidney's work for guidance and inspiration but there will never be another who comes close to him. Douglas uses Lumet’s work in his film classes and created a course called “Dogged Defiance: Sidney Lumet.”  He says Lumet’s filmmaking defied classification because it changed with every story he told. time by way of the American jury system, which Alexis de Tocqueville believed was a cornerstone of American democracy and made for better citizens. "[41] She praises his style of directing in Network, in which she won her only Academy Award: Sidney, let me say, is one of, if not, the most talented and professional men in the world...and acting in Network was one of the happiest experiences I have ever had...He's a really gifted man who contributed a good deal to my performance. The entire CBS network was heavily targeted. "[28] Lumet also drew praise from New York mayor Michael Bloomberg, who called him "one of the great chroniclers of our city". We may be trying to let a guilty man go free.”, Questioning Authority, Taking the Moral Path, Serpico (1973) Directed by Sidney Lumet Shown from left in foreground: Al Pacino, director Sidney Lumet, In 1995 Professor Terry Diggs’ interviewed Sidney Lumet during a seminar on Film and the Law at the University of California and asked what drew him to films about jurisprudence. “What they hadn’t figured out was that I was going to be sitting there 15 feet away,” he said. He later directed a live television version of Eugene O'Neill's The Iceman Cometh, which was followed by his 1962 film, A View from the Bridge, another psychological drama from a play written by Arthur Miller.

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