You can still see all customer reviews for the product. After I spent some time getting to know the F-6, questions inevitably arose: Where might this instrument fit into a string player’s stable and to whom would it most appeal? Finished off with a chrome-plated trapeze bridge, the mando-guitar easily accommodates standard, albeit very light, guitar strings (.008–.042). 1 week ago 0 Comments. I've played acoustic mandolin for a couple years. Read honest and unbiased product reviews from our users. Well-intonated and with a comfortable setup, all I had to do was bring the strings to pitch and start playing. Video lessons week by week, Chord by Chord. However, if you want a mellow mandolin, you need to look elsewhere. I have been playing mandolin (mostly acoustic) for almost 30 years and had two other electric mandolins. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Gold Tone’s F-6 is a reimagination of the older mando-guitar. Gold Tone deserves praise for building "niche" instruments that other makers don't: this current thread in the CBOM forum discusses their Octajo, an octave-mandolin-banjo, and they also build a banjo-bass, as well as mandolin … 5.0 out of 5 stars See review for OM800+ on Gold Tone GM70 mandolin site. I play the Gold Tone GM-70+ and I do like it. It’s intriguing, if not fun, how the sound and feel of a different-sized and pitched instrument can have a direct impact on one’s approach. The neck is a bit narrower than a typical mandolin so that the G string is very close to the end of the frets; bending of the G must be up (toward the E) rather than down. Pitched in between its two parent instruments, the F-6 has a range intriguingly close to that of a tenor banjo. Really great instrument! Played a Gold Tone mandolin at a dealer's a few months ago -- don't know if it was the GM-50, but it was a solid-top, and it seemed decent for the price. Although regionally popular in Italy through the 19th century, the instrument eventually fell into obscurity. That said, a little mandolin technique goes a long way here, particularly if one is looking to use it as a substitute or alternative for that smaller instrument, either in a recording setting or jam session. Guitarists who have fostered such interest will find the transition both technically easy and musically rewarding. A quick inspection revealed parallel bracing under the spruce soundboard, which perhaps explained its impressive volume. This mandolin has a slim neck with a scale length of 14-7/8 inches. There's a problem loading this menu right now. Gold Tone’s F-6 is a reimagination of the older mando-guitar. With a mandola-sized body inspired by Lloyd Loar’s famous American flat-back with f-hole design, the F-6 offers the player an alternate history that shares the aesthetics and sonic characteristics of the mandolin family of instruments that were produced in Kalamazoo during the early 1920s. But most impressive was the general timbre of the instrument: rich, balanced, and lively. It sits nicely on top of a guitar while still allowing plenty of headroom for a fiddle or proper mandolin. That is about the going rate for one of these with a gig bag. The bone nut isn’t quite as wide as is specified on the website—at least not on the review model—and with a scale length of just 15 inches, every bit of real estate counts. Both full-size folk chords and three-to-four-note jazz voicings seem to be at home on this diminutive box, hinting at its versatility. 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