'scooped' on the series II. When you buy products through links across our site, we may earn an affiliate commission. During the same tracking session I used the mic, again in active mode, on upright bass along with a Neumann U47, and had wonderful results. I've paired them up with my Great River MP2NV, True Systems Precision 8, and Neotek Series 1E. © 2020 Pro Sound News is part of Future plc, an international media group and leading digital publisher. According to the folks over at Cascade, the Fathead II with its larger body will fit the Lundahl trans. It even worked well as a outside kick drum mic placed about two feet in front of the kick drum, angled slightly down and squashed to death (again with a Distressor). According to Cascade's own website, the Fat Head II differences are: I have a pair of stock 2. I can see myself using the mic to record vocals from time to time, especially on a vocal that tends to be a bit edgy or piercing, but I would never purchase the mic specifically for that application. Cascade’s latest addition, the Fat […] I also had good results using the Fat Head II A/P on the body along with a Neumann KM-86i on the neck. The Cascade Blumlein Stereo Adaptor Bar is quite affordable ($99) and can be used with virtually any microphone, so it’s definitely worth checking out as well. In active mode, the mics work wonderfully for drum overheads. Frequency Response - Bidirectional Click Graph to … It also prevents accidentally changing the status during the setup or positioning of the microphone. I still prefer my staple Royer R-122 for this application but this can easily fill the gap if there isn’t a R-122 available. I've had 2 of the original Fatheads for years, and love them as drum room mics, but I've noticed that the head part is starting to get loose on both of them, and one has had a noticeable degradation in sound as a result. On the Cascade website, the frequency response for the original ones looks better, but a better built mic would be useful as well. the biggest thing that confuses me it the frequency graphs. I smile every chance I get to use them. also, if anyone has any personal experience with these mics, I would like to hear what you think. Amazing for guitar amps & overheads. I've been looking at these mics for a couple weeks now, scavenging the depths of the internet for a deciding factor, but nothing really swings me either way. Specifications. I guess if I had to choose now, I would get a pair of the normal fat heads. I'm pretty happy with the sounds I'm getting. So far I like them best through the Neotek's. Combine this with a switchable active/passive circuit, a Lundahl transformer, and a newly designed body that is available in brushed silver (my preference) or matte black, and you have the Fat Head II A/P. Fathead vs. Fathead II I guess if I had to choose now, I would get a pair of the normal fat heads. The review mics arrived the week before a multi-day tracking session at Dark Horse Recording in Franklin, TN. I was introduced to the Cascade Fat Head mic over half a decade ago and since then I’ve been convinced that they hold the reins in the low-cost yet fine sounding ribbon mic market. As with other active ribbon microphones, the Fat Head II A/P’s active circuit isolates the ribbon’s output from the microphone preamp so that the load on the ribbon can be both optimal and constant, resulting in less ribbon coloration and a purer sound quality. Cascade Microphones of Olympia, Washington U.S.A. offer only the highest quality hand-built professional ribbon microphones used by professional studios and musicians around the world. The active portion of the Fathead II Active/Passive ribbon microphone is a carefully adjusted differential cascade JFET amplifier where the phantom power supply 6K81 current limiting resistors are used as the cascode stage drain load resistors. When operating in Active Mode, the mic has a frequency response: 60 Hz to 15 kHz +/- 3 dB, with a sensitivity of -39 dBv +/- 2 dB (0 dB=1V/Pa). also, if anyone has any personal experience with these mics, I would like to hear what you think. BIO: Russ Long is a Nashville-based producer, engineer and mixer as well as a senior contributor to PAR. Who's using Cascade Fathead II for drum overheads. During the tracking session, I used the mics in active mode along with a Hardy M-1 mic pre and a pair of Empirical Labs EL-8 Distressors to capture the drum room and had wonderful results; the stereo track added the perfect amount of punch and ambience to my drum tracks. The Fat Head II is an attractively-priced, great-sounding ribbon mic, switchable between active and passive operation. I used them in this capacity multiple times (most recently to record Marcus Finnie playing drums on jazz great Bernie Lackner’s current work in progress). While ribbon microphone manufacturers have been offering active versions of many of their microphones for some time now, Cascade takes this concept a step further by offering an Active/Passive version of the Fat Head II, allowing the user to configure the microphone as either an active or passive transducer with the flick of a switch. 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